What does op mean in art?

optical art
Op art is short for ‘optical art’. The word optical is used to describe things that relate to how we see.

What is the op art style?

Op-Art (fl. 1965-70) Op Art (a term coined in 1964 by Time magazine) is a form of abstract art (specifically non-objective art) which relies on optical illusions in order to fool the eye of the viewer.

What is op art illusion?

Optical illusion art, or Op Art for short, is an aesthetic style that intentionally exploits that oddity of human perception that gives the human eye the ability to deceive the human brain.

Why is it called op art?

During the 1960s, Op Art—short for “Optical art”—combined the two disciplines by challenging the role of illusion in art. While earlier painters had created the illusion of depth where there was none, Op artists developed visual effects that called attention to the distortions at play.

What makes Op art unique?

Op art painters devised complex and paradoxical optical spaces through the illusory manipulation of such simple repetitive forms as parallel lines, checkerboard patterns, and concentric circles or by creating chromatic tension from the juxtaposition of complementary (chromatically opposite) colours of equal intensity.

What is the difference between Op art and kinetic art?

What is the difference between kinetic art and Op Art? “Op Art” is an abbreviation of Optical Art. It is an avant-garde movement that had its breakthrough in the mid-1950s as an extension of abstract, constructivist art. … “Kinetic Art” is a catch-all term for artworks that cultivate motion.

What influenced Op art?

The antecedents of Op art, in terms of graphic and color effects, can be traced back to Neo-impressionism, Cubism, Futurism, Constructivism and Dada. On the other hand, some experts argue that the style represented a kind of abstract Pop art.

What are the elements of Op art?

What makes op art unique?

What does OP ART use for inspiration?

Emerging in the 1960s, this movement drew inspiration from a number of sources: the non-representational shapes of geometric abstraction, the rhythmic movement of kinetic art, and classic techniques such as trompe l’oeil.